Reality competition show that followed several families to find the next greatest sitcom.

A young computer whiz is recruited to join a group of experienced hackers attempting to break into encrypted databases and government programs. A remake of the German film 'WhoAmI'.

不同语言、国籍的全球朋友聚在一起玩韩国游戏的海外旅行节目。将进行I am Ground、Zero、沉默的公共七面包、木槿花开了等游戏。

Wiz’s Weekender (1992) was a film ahead of its time, both in form and content. It engaged with contemporary issues that mainstream media were eager to sensationalise. Consequently, it was branded with an 18 certificate and banned by both the BBC and ITV, never reaching a wider audience. For the past three decades, Weekender has bubbled just below the surface, gaining genuine cult status and influencing a vast network of creators. In the run-up to its thirtieth anniversary filmmakers Tabitha Denholm and Adam Dunlop interviewed people involved in the project. I Am Weekender is built around those conversations.

《Who Am I》是通过明星的日常、朋友的证言、专家的心理分析等，发现明星新一面的节目，基于MBTI等全世界流行的“Labeling Game”打造。 据悉节目MC确定为Boom、朴俊炯、Nucksal、李美珠等。 Boom和Nucksal在tvN《惊人的星期六》中合作。朴俊炯凭借特有的综艺感在YouTube以及多种综艺中活跃。李美珠最近出演刘在石主持的《第六感2》《闲着干嘛呢？》等综艺，还与刘在石所属公司Antenna签约，开辟新的活动方向。

A revelatory portrait of the trailblazing artist Emily Kam Kngwarray, from the Utopia community in the NT, whose work reshaped the international contemporary art world. 　　One of Australia’s most celebrated figures, Kngwarray is the highest-selling woman artist in national history. Known for her strength, wit and radiant presence, the Anmatyerr Elder found global fame in the late ’80s with large-scale paintings deeply rooted in her connection to Country, culture and community. With collectors including actor Steve Martin, her work fuelled worldwide interest in Indigenous Australian art. Director Danielle MacLean (We Are Still Here, SFF 2022) follows the preparations for the National Gallery of Australia’s major 2023 Kngwarray retrospective, while rare archival materials let the artist, who passed away in 1996, speak in her own words.

After his identical twin dies of a drug overdose, his guilt-ridden brother must return to his hometown to clean out his brother's apartment, where he's forced into an uneasy relationship with another drug addict-his dead twin's girlfriend.

時間無情地向前走，但記憶能否無憾地留在那一日？延續《呼～》長鏡頭式的創作試驗，邵知恩這次探索的不是鏡頭裡人物與時空的互動，而是在鏡頭之外以年為單位的時間跨度和心理變化。迷惘少女玲在某夜驀然與四年前的自己相遇，促膝談心，各懷千言萬語，卻不知從何說起。如果今天的我們能跟當時的自己對話，想表達的是後悔還是鼓勵？假如那時的我們能向現在的自己發問，說出口的是關懷還是疑惑？這不是流行的穿越劇，而是帶着苦楚的藍調，反躬自問，何去何從。

In Igor Smola’s speculative eco-doc, the pumpjacks, pipes and coolers that extract oil from the earth seem to speak directly to the viewer, narrating their experiences of harvesting the fuel upon which humans have become so critically dependent. Drawing on the thoughts of philosopher Reza Negarestani, My Name is Oil presents the substance as a metaphysical entity with seemingly mystical qualities, channelling the spirits of the many plants and animals whose decay has facilitated the creation of this apparently miraculous material. Capable of seeing the future, the rig’s machinery attempts to alert its human operators to a looming disaster, but caught up in their business — and distracted by the camera — the workers whose lives hang in the balance seem unable to tune into their frequency.