Trinh Minh-ha returns to material shot in rural China in the early 1990s in an essayistic reflection on the rich and complex history of the country – and of the mediums of film, text and voice.
Trinh Minh-ha returns to material shot in rural China in the early 1990s in an essayistic reflection on the rich and complex history of the country – and of the mediums of film, text and voice.
