Following their first feature-length animated film The Wolf House (2018), the Chilean duo are back, mixing puppets, stop-motion and live-action, theatre, science fiction, and real and fabricated biopic. In the liminal space of a big studio, our only guide is a woman – by turns storyteller, actress and illusionist – who interacts with Méliès-style cardboard sets and effigies, following in the footsteps of a very real man: the Chilean neo-Nazi dandy Miguel Serrano (1917-2009), a writer and the originator of delirious esoteric theories. Should he be viewed as a fascinating anomaly or symbolic of a deeper evil?
